238. CHOCOLATE DEMISTASSE CUPS

I remember my Grandmother Patricia's (Apung Tiri) old and tiny demitasse cups which my Mother kept for the longest time in an old bookcase that had lost its glass panelled doors. In fact, she used that bookcase to store her special crockery, to be taken out and used only during special occasions like our annual fiestas. Same was true for Apu’s lovely little cups—they were only taken out once or twice a year. By any standards, her demitasse cups were just plain white ironstone cups, not even porcelain—with a raised relief of a carnation flower in front.

These cups were used to serve special hot chocolate, freshly made from ground chocolate mixed with peanuts and gatas damulag, then briskly whisked in a brass chocolatera using a wooden batirul. The resulting frothy chocolate drink was sipped daintily from these cups, to be savored slowly, with puto, broas or çhurros, depending on your taste and budget. 

Sometimes on Christmas, we also filled these cups with green duman (gelatinous rice) and then pour the hot chocolate afterwards—a taste treat unlike any other! My Mother too had her own sets of demitasse cups which she recived as wedding gifts—she had real porcelain cups with transfer print of roses as well as even smaller ones with gilt rims. So treasured were these cups that they were even etched on the bottom with my mom’s initials—E.R.C. Through the years though, we lost a lot of these cups; we only have half a dozen now, some without handles, others with cracks. Even then, I keep them on display on a shelf in our old house, a family souvenir of sorts. 

Recently, I came upon a nice set of demitasse cups of similar make from two different sources—one from a San Fernando dealer and the other from a roadside Bulacan antique shop. I bought them years apart, so I suppose these cup styles were rather popular. But what makes them special was that they were personalized either with the names of the owners or with personal wishes intended for guests. One example has the name ”Apolinaria” written in a flourish in gold. Others carry greetings like “Amistad”(Amity or Friendship) and “Recuerdo” (Souvenir), in low-grade gold.

These were done by itinerant artisans who once roamed towns offering their unique services of personalizing utensils, jewelry pieces and objects of value by hand. There are those who carefully incised the back of plates and cups with the owner’s initials using a hammer and a metal pick. Others used their calligraphic skills, writing names using gilt paint, as in these examples. I was lucky to get ten perfect cups—each a showcase of the vanishing art of personalizing objects by hand, as well as memory pieces to remind me of my Apu I never met, and my late Mom’s cooking skills which I continue to miss every day.

237. ANNE SHERIDAN PAINT BOOK

Coloring books are one of my fave collectibles--I saved a few from the 60s and 70s, which were largely based on TV programs like Brady Bunch, Partridge Family, Bonanza, etc. But the earlier coloring books--or paint books--were based on glamor girls, screen hunks, vamps, vixens and singing stars of Hollywood. The lovely Ann Sheridan, the original "Oomph Girl" is one such subject of this large (11 x 14), scarce paintbook that dates from 1944.

Ann was the winner of the "Search for Beauty" contest that earned her a screen test at Paramount Pictures. At 18, she was put under a contract under the name Clara Lou Sheridan. She moved to Warner Bros. in 1936 and became a leading star of many comedies and light romance movies
She remained active in the 60s, appearing in "Another World" (1964) and the western series "Pistols 'n' Petticoats" (1966). 

This paint book has 48 pages of Ann to color, showing her activities on and off-screen. It was publihsed by Whitman Co., a leading juvenile publications company. This is an ebay find, worth about $25, with a few pages colored.

236. E-Z BILT TIN HOUSE

My tin toy collecting was jumpstarted by this tin toy house that I bought at the famous Makati Cinema Square, back in the days when it was still a happy-hunting ground for scroungers and thrift shoppers--with the basement level full of shops that sold practically anything used, vintage and second-hand.

The painted metal parts were in a box that had long since disintegrated, but I distinctly recall that it was marked with a"BILT E-Z" brand name. I assembled the pieces easily and formed this multi-level structure, put it on a shelf and forgot all about it. That is, until I saw a similar tin building featured on a Smithsonian Magazine!

A quick research yielded some information about this toy from the 1920s. The BILT-EZ building was made by Scott Manufacturing Company Inc, Chicago, USA. The parts connect together by means of tabs which project at right-angles from the top and bottom of the wall pieces and slip into the edges of the roof/floor parts. Balconies and lengths of roof edging are also attached with tabs. Roof/floor sections are connected together by means of connector plate.

Here is a youtube video I found of this early tin construction toy:


RARE E-Z BILT TOY

235. Holy Finds! RELIGIOUS PRINTS

As a collector of sacred art, I got excited when i saw these very old black and white prints showing religious figures, Biblical scenes and character at an art shop in Devonport, New Zealand. They are rather large prints and seemed to have come from the same book. There were classic representations of the Immaculate Conception, The Scourging of Christ, the Holy Family, The Way of the Cross--and so much more, probably printed in Italy. Some of the scenes are captioned in Spanish, French and English. The curator/shop owner told me they date back to the late 1890s-1900, making them authetic 100 year old antique. She was kind enough too, to give me a special package price for 3 lovely prints. In Manila, these would probably be worth Php 5,000 apiece, as European-made religious prints are hard to come by--last time I saw a black and white Currier & Ives print of Sacred Heart for sale locally was over a decade ago--and that was American-made!

234. WE THREE KINGS: Nativity Figures

Christmas is still a long way off, but I just have to show this trio of plastic royalties that dates back to the psychedelic 60s. I found these in the weekend Avondale Market in Auckland, NZ--which is basically a farmer's market with a sprinkling of open stalls selling vintage stuff. Melchior, Gaspar and Balthazar may have been part of a Nativity set, typical of examples cheaply sold in the 50s and 60s. I couldn't find a manufacturer's mark, maybe these were made in Hong Kong. Holiday collectibles such as these have their own crazy collectors--and I guess I am one of them. Right now, this  merry plastic trio are gathered 'round my little plastic Christmas tree that is displayed year-round in my little house, ready to welcome visitors with their plastic gifts of myrrh, gold and frankincense.

233. CHASING MARIA CLARA

This picture showing a beautiful pair of Filipiniana busts was sent by phone to me for my consideration by my antique dealer from Bulacan. One look and I knew these were very rare pieces--and very old. The almost identical busts show two Filipinas in a typical Maria Clara outfit, characterized by a stiff panuelo, covering their camisa. One of the ladies has her head in a more tilted position and is about half an inch shorter, but both are carved similarly, right down to the hair caught in a bun at the back. There are polychrome traces on these fine softwood carvings.

I agreed with my dealer to see the busts up close on a Friday, as I really don't buy items without first seeing them--especially at the price he wanted. But towards the week, he phoned again to tell me that the middleman peddling the busts was pulling them out from his shop (he was taking them to Manila)--and asked f I could see them before Friday. That proved impossible for me, as I was still at work in Makati, so sadly, I passed them up. But the images of these rare Filipiniana pieces kept haunting me.

Next thing I knew, the pair appeared in an online shop in just a matter of days--sulit.com.ph--advertised by a Manila dealer. I quickly got in contact with the dealer and confirmed that the pair was still up for grabs. There was only one catch though--the original price had doubled! But at that point, i didn't care--the rarity of these pieces told me they were still worth much, much more.

I surmised that these were not commercially sold pieces but commissioned works from some sculptor meant to grace a grand old bahay na bato. Their faces might have even been modelled from real Filipina ladies, sisters perhaps. Another possibility was that these were works of an advanced art student, projects of his sculpting class. The details are impeccable, right down to the turned pedestals and the lacey like edgings of the ladies' panuelo.

 But there was one more catch before I could even go check them out at the dealer's place: one bust had been sold. I would have wanted to get the pair, but I was still in luck: since I got to the dealer's place first, I had the first option to choose the bust of my preference. Of course, I picked the taller one, all 23 inches tall, showing a more mature lady of refinement and wealth. So ends my successful chase for this bust that had been the object of my fascination for a week--Maria Clara was mine to keep!

232. LETTER ART: Victoriano Caballero

While scrounging around for some worthy finds at the antique row of NLEX's Sta. Rita Exit, I came upon an old religious print of the "Virgen de la Paloma"--tattered beyond repair--framed in a crumbling gesso'd picture frame. It was a pity that the print could no longer be salvaged, it had large missing parts--but the dealer pointed out to some possible paper treasures found at the back of the picture. Indeed, 3 pieces of paper were found sandwiched between the frame and the print, acting as backboards.

I was immediately drawn to a 22 x18 sheet of browning paper--a watercolor letter art bearing the name "Victorino Caballero". Letter art was a popular Filipino past-time, and the best examples were the water color 'letras y figuras' creations in the 19th century. "Letras y Figuras" refer to an art form involving the painting of the letters of the alphabet by ingeniously forming their contour out of the shape of human figures, animals, plants, and other objects. The foremost proponent of these charming folk art pieces was Jose Honorato Lozano. 

Simpler letter art involved embellishing individual letters with design elements like floral motifs, just like this example, thus creating a new font style that is at once pleasing and beautiful. This, actually, is a memorial piece--bearing the name of the dear departed. Underneath Victorino's name are pencilled inscriptions--indicating that this was unfinished: "Namatay ng icadalauampo ng Octubre ng taong isang libo ualong daan at ualong po at lima" (Died on the 20th of October in the year 1885). This work certainly was done after 1885, maybe a few months or so after the departure of Victorino from this mortal world.