378. MOPTOP COMBO PLAYER FIGURINES

Now here's a pair of Made in Japan figurines that hark back to the age of the Beatles, Shindig, Dave Clark 5, American Bandstand, the Monkees, and Hullabaloo. The two china figures represent combo players of the 60s era, and may have once graced a teenage girl's room, as she listened to her vinyl records playing the songs of Paul, John, Ringo and George on her plastic turntable. Alas,only two figurines remain--one singing the melody while beating a conga, the other, strumming away on his red electric guitar. The drummer and,possibly, the bass player are missing from the set, but that doe not detract from kischy cuteness of these two boy band members, who even have their original nylon moptop hair! And note the green bases where they stand--complete with musical notes! You could almost hear them belting out.."She loves you yeah...yeah...yeah!".

350. Advertique: RUFINA PATIS PROMO PLATE

First time to see this one-of-a-kid china dinner plate that was a giveaway of Rufina Patis, the first fish sauce brand in the Philippines founded by widow Rufina Salao vda. de Lucas. The home industry that she put up in 1900 became a successful multi-million peso business, peaking in the 50s and 60s.

The business grew by leaps and bounds after the war and 2 modern manufacturing and bottling plants were erected in 1957 and 168 to meet the growing lucrative U.S.-Filipino market. The company also invested in advertising and in sales promotions--and these collectible plate premiums were among those used to entice housewives to buy a bottle of Rufina Patis.

 This small 8 in.diamter plate bears the Rufina Patis Especial logo and bears the Three Starbest China - Made in Japan manufacturer's mark. It was found on ebay Philippines, sold to me by an old gentleman whose father used to have a general merchandise store selling groceries, including condiments and bottled products.

 On the center of the plate is a delicately colored illustration of a woman in patadyong and salakot, with a basketfull of fish in one arm-- a charming Filipiniana touch on a Japan-made plate.

The piece dates from the 50s and still retains its vibrant colors after all these years. It may not have been used and was used for decorative purposes. This is the first and only known premium item associated with the pioneer patis brand in the country.

331. Grind, Grind: HEIRLOOM STONE GILINGAN

 Before you start picking for antiques, why not try looking around your own house first? This is just what I did when I started getting hooked on old things. Ever since I can remember, we've always had this stone grinder at home, which was actually used for years in the making of bibingka, tamales and other sweet kakanins (homemade delicacies).

One used a spoon to "feed" the stone grinder with gelatinous rice and water, through a small opening on the top stone wheel. The brass handle is then turned by hand, and the ground rice then comes out of the spout, with a sticky consistency now called "galapung"--the main ingredient in many Filipino sweet treats. This domestic antique bears the name of the original owner, who happens to be the elder brother of my grandpa--Dr. Melecio R. Castro,

The date is carved out on the top stonewheel--Enero 15, 1913--which makes this gilingan a certified antique--over 100 years old! I am glad I saved our stne grinder, which went out of commission many years ago, with the advent of instant "galapung" flour. It still is in great condition, with its original brass turner, that is connected to the stone with a tongue or hardwood, It rests now in my garage, treated like a sculptural piece, the way gilingans are being collected these days as garden ornaments. Hopefully, I will find the opportunity to use this again, to make my favorite tamales. Giling-giling, pag may time!

318. MANILA RAILROAD MILK PITCHER

In the U.S. one hot collectible field is Railroadiana--which refers to artifacts or items of current as well as defunct railways no longer in operation.This very rare specimen-- a small milk pitcher from the Manila Railroad Company is one such example. Passengers were served hot meals and drinks by uniformed railway staff, using tableware--plates, coffee cups, saucers-- bearing the MR logo. This surviving piece from the 30s, was offered by by a Manila collectible shop and it took little convincing for me to acquire it, as it's not only unique, but is also full of history.

The Manila Railroad Company was one of the largest domestic corporations in the Philippines from 1917 -1940's which the Philippine Government acquired in 8 Jan. 1917. Its railway lines totaled 1,140.5 in 1941, located in Luzon.  The lines extended from San Fernando, La Union, in the north, to Legaspi, Albay, in the south. The more important branches are the Paniqui-San Quintin, Tarlac-San Jose, Bigaa-Cabanatuan, San Fernando-Carmen, Calamba-Batangas, and College-Pagsanjan. The company was taken over by the U.S. military during World War II, to be used for the defense of the Philippines. The Manila Railroad Co., suffered irreparable losses from which it has never recovered, thus ending its operations.

305. Campaign Memorabilia: MACAPAGAL TIN PLATE

MACAPAGAL FOR PRESIDENT! A 1961 campaign memorabilia promoting the candidacy of Diosdado Pangan Macapagal of the Lberal Party vs. President Garcia. 

Campaign gimmicks were not unknown in the 60s, and whe Vice President Diosdado P. Macapagal decided to run for presidency, he made sure his political promise will be remembered by every Filipino every time they set their table: "No more hungry Filipinos!!!". This campaign giveaway--a tin plate printed with Macapagal's name and famous quotation: "I'd rather g to jail than see the people go hungry!"-- was meant to do just that--and, as everyone knows, he succeeded, becoming the 9th president of the Philippines.

Found in a Bulacan shop, the plate is in a remarkable state of preservation--even it's plate stand was intact. I have seen a similar one years before ina Manila shop, a little rusty and dented--but which sold anyway, to my utter disappointment. This time, I would not be denied. Despite the rather steep price, I got this rare gem of a collectible, and a fine example of Pampanganiana, if there is such a term!

True,  Macapagal served the country to the best of his ability--but his term was considered unproductive, even with his Land Reform program. His term was badly tainted with the Stonehill corruption case, and in 1965,  he lost to Ferdinand Marcos--but at least he did not leave behind a country in disarray. The ouster of Joseph Estrada in 2001 paved the way for the rise to power of daughter, Gloria Macapagal Arroyo, who went on to assume the presidency. Her term was another story.

267. A Grate Collectible: ANTIQUE KUDKURAN

Now here's a fanciful kitchen collectible that I chanced upon at the famed Chatuchak Market in Bangkok. It's an old coconut grater carved in the shape of a man on all fours. The metal grater itself protrudes from the man's mouth. Coconut graters are found all over Asia, as the coconut was a staple food in this region. To remove the flesh off the shells, a half-coconut was scraped against a sharp-edged metal spur, while seated on the kudkuran's body.

Most Philippine kudkurans had a basic shape--just a paddle shaped seat to sit on with a metal grater screwed or nailed in the narrow portion of the seat. Others took on more figurative shapes--graters fashioned from tree stumps often took the form of 4-legged animals, like a horse. This example. made of heavy wood, is a more creative example--the crouching man even grasps a ball on one hand--playing while he works!

With the advent of motorized graters, the folksy kudkuran had all but disappeared in Philippine kitchens. I know a friend who collects them and displays them as sculptural pieces--and that s exactly how I will display my antique kudkuran.

266. Sulit Kitsch: 50s LADY HEAD BUSTS

Don't you just love sulit.com.ph? The country's biggest online sell-trade-buy marketplace has the widest, weirdest, funkiest assortment of goodies any collector would go crazy for. One of my most recent unexpected finds is this pair of small busts, made of plaster, representing 2 fashionable ladies from the 50s. All of 6 inches tall, they realistically represent the midecentury look gal--from the puffed hairdo, to their mod, stylish clothes.

The first lady head bust looks almost Oriental, with rosy cheeks, red lips and puffed up hair held with a green bandanna tied in a knot under her chin. She wears a green blazer with padded shoulders, over a cream colored blouse, a style so much in vogue in the war and early post-war years.

The second lady wears a more daring outfit, with a plunging neckline, accessorized by a flower on her puff-swept hair. With her heavy make up, she looks like she's ready to paint the town red!

The back of the plaster busts are incised with what looked like scripts in gibberish, but upon closer examination, I recognized them as Burmese letters--which I can't read anyway. Maybe these ladies represent important women from Burma--actresses maybe, but Ican't be sure. What I am certain is that this kitschy pair are worthy collectibles, flash from the 50s golden period of Hollywood glamor and style.

265. A Pressing Issue: COLLECTING OLD FLAT IRONS

I don't know for what reason, but one of my very first antique purchase were these flat irons or "prensa" or "plantsa" made of brass (Php100 in 1985).  I think I was attracted to their utilitarian value more than their antiquity, a reminder of the hard work that went into perfect homemaking. Early presses used heat to iron out wrinkles on clothes and fabric--the above example is called "plantsa korona" as it had an open circular top over which live coals were placed. Held by a wooden handle (now gone), the "plantsa" is then made to slide over clothing over and over again, to remove and smoothen out creases. Made of brass, these 'plantsa koronas' were tricky to use, as sparks would fly from the uncovered top and could singe the fabric.

Later plantsas were streamlined in shape, closer to how modern flat irons look like. They were made with a top cover where charchoals could be place into the 'plantsa's" hollow body that had vents to draw off excess heat. "Plantsang de uling", these were called, and these examples are what are usually found in antique shops today. The above 'plantsa' is Philippine made and dates back to the early 50s.

Antique flat irons from the Asian region looked very similar, although many integrated local designs onto the body. This brass example, from Thailand, has incised designs on the rims, and the wooden handle is supported securely with two brass prongs mounted directly on the body of the flat iron. The cost of antique flat irons remain steady in the Philippine antique market with a price range of Php 1500-3000 for the 'plantsa korona', depending on the size. Plantsang de uling could be had for under a thousand bucks. It's all up to you how to display them--I once used my plantsas as book-ends, as a vase holder, or a desk accent to contain paper clips, staples and post-its. You can even use them for their intended purpose, but do learn how not to burn.

255. KWARTA AT KAHON!

Who wouldn't be charmed by this folksy money box? Not only does it have a lot of character in its simple floral carving, but it also comes complete with its own antique key.

In the good old days, before the age of safes and banks, our grandparents kept anything of value in wooden boxes such as this--money, loose change, pieces of jewelry, watches, small, but important documents--maybe even dentures! I have seen wooden cigar cases converted into money boxes, but this box, which probably dates to the 50s, is all hand-made.

The box has shallow compartments for sorting out things, and now it serves as a hiding place for my old medals and antique coins. It's a great example of functional folk art at its best!

252. What Is It?: A MOLD? A MASHER? A KITCHEN TOOL?

 A dealer in Bulacan threw this object for free, after I made several purchase at his shop. It's a wooden, cylindrical item with what seems to be a handle gouged out, at the top. It is dated 1926, as one can see, and the words "Andrea G. Del Pilar, Pilpiltan, Bul.(acan)" are incised along the rim of the circular top.

I was told by the dealer that this came from a bakery, and this was in fact, a masher, used in kneading dough. I was not convinced because rolling pins were known in the Philippines  even in the 20s. Besides, holding this wooden implement was kind of difficult as I could hardly grasp the hollowed-out handle on top.

In another shop, some months later, I found a similar object, with the same hollowed-out oval top to be used in holding the object. This one, though, had no carving. The shop owner, this time, told me that it was a mold for the top part of a buri hat--or maybe that of the famous Baliwag hat, made in these parts of Bulacan in the 30s. I think that was a more plausible explanation, even if I felt that the circumference of the all-wood object  was too small for an adult head (around 7 inches in diameter). Maybe this was for a kiddie size hat, no? If you have any idea what this item is, I would appreciate it you could just post your answers (and guesses) here.

246. Boxed: WALT DISNEY'S PETER PAN

A 1969 Walt Disney tin lunchbox of Peter Pan manufactured by Aladdin Industries--found at the famous Grand Thrift Shop at Cubao Expo. A pity the thermo is missing! But this lunch box is in exquisite condition, almost unused! This side shows Peter Pan in a duel with Captain Hook...

The other side shows the Darling children flying with Peter Pan. The side panels feature other characters from the popular animated film. Great coloring on this box! I coveted this lunchbox when I was a kid..but unlike Peter Pan, I grew up and sort of outgrew my interest in such kidstuff. Until my second childhood stage kicked in....

244. SANICULAS COOKIE MOLDS

The celebrated miraculous bread, known as “panecillos de San Nicolas”, is known simply in Pampanga as “saniculas’. There used to be a ritual blessing of the cookies before they are distributed, although this tradition is now rarely practiced, saved for some Recollect parishes like San Sebastian where saniculas are still blessed during Masses.The cookie itself is made using age-old techniques and ingredients like arrowroot flour (uraro), eggs, lard, dalayap (lemon rind) and coconut milk.

The “saniculas” wooden moulds which are used to impress the dough with the distinctive imprint are interesting kitchen artifacts themselves. They are often commissioned from Betis and Bacolor carvers, and although the designs vary, the moulds always have the abstracted figure of the saint in the center, surrounded by floral, vegetal and curlicue patterns.

Kapampangan cooks treasure these uniquely-designed wooden molds, which commonly came as single blocks. Some have back-to-back designs, but most are often carved with the owner’s initials. As fine examples of folk art, “saniculas” moulds have also found their way in antique shops.

238. CHOCOLATE DEMISTASSE CUPS

I remember my Grandmother Patricia's (Apung Tiri) old and tiny demitasse cups which my Mother kept for the longest time in an old bookcase that had lost its glass panelled doors. In fact, she used that bookcase to store her special crockery, to be taken out and used only during special occasions like our annual fiestas. Same was true for Apu’s lovely little cups—they were only taken out once or twice a year. By any standards, her demitasse cups were just plain white ironstone cups, not even porcelain—with a raised relief of a carnation flower in front.

These cups were used to serve special hot chocolate, freshly made from ground chocolate mixed with peanuts and gatas damulag, then briskly whisked in a brass chocolatera using a wooden batirul. The resulting frothy chocolate drink was sipped daintily from these cups, to be savored slowly, with puto, broas or çhurros, depending on your taste and budget. 

Sometimes on Christmas, we also filled these cups with green duman (gelatinous rice) and then pour the hot chocolate afterwards—a taste treat unlike any other! My Mother too had her own sets of demitasse cups which she recived as wedding gifts—she had real porcelain cups with transfer print of roses as well as even smaller ones with gilt rims. So treasured were these cups that they were even etched on the bottom with my mom’s initials—E.R.C. Through the years though, we lost a lot of these cups; we only have half a dozen now, some without handles, others with cracks. Even then, I keep them on display on a shelf in our old house, a family souvenir of sorts. 

Recently, I came upon a nice set of demitasse cups of similar make from two different sources—one from a San Fernando dealer and the other from a roadside Bulacan antique shop. I bought them years apart, so I suppose these cup styles were rather popular. But what makes them special was that they were personalized either with the names of the owners or with personal wishes intended for guests. One example has the name ”Apolinaria” written in a flourish in gold. Others carry greetings like “Amistad”(Amity or Friendship) and “Recuerdo” (Souvenir), in low-grade gold.

These were done by itinerant artisans who once roamed towns offering their unique services of personalizing utensils, jewelry pieces and objects of value by hand. There are those who carefully incised the back of plates and cups with the owner’s initials using a hammer and a metal pick. Others used their calligraphic skills, writing names using gilt paint, as in these examples. I was lucky to get ten perfect cups—each a showcase of the vanishing art of personalizing objects by hand, as well as memory pieces to remind me of my Apu I never met, and my late Mom’s cooking skills which I continue to miss every day.

210. FIGURAL GOOGLIE CREAMER

I found this googlie-eyed creamer staring at me in an antique shop in Devonport, New Zealand, a charming, seaside resort in Auckland. Figural creamers have been around for so long and most are in the shape of cows, people heads and other animals. This one though, is quite a character. I did a bit of research but found nothing of this houseware collectible that definitely dates from the 1950s. For some reason, it reminded me of a man-in-the-moon or one of those nursery rhyme characters--Humpty Dumpty perhaps. Maybe it was part of a set or a premium giveaway from a now-extinct product. I thought I paid a bit too much for this creamer (30NZ$, or close to a thousand bucks), but then I'd be whacking my head now if I hadn't gotten it. I am sure I will be staring back at this googlie creamer each time I drink my coffee, amused by the thought that I will be as wide-eyed as him in the morning!!

203. Boxed: ANNIE

Little Orphan Annie was a popular U.S. comic strip created by Harold Gray (1894–1968) and syndicated by Tribune Media Services. The strip took its name from the 1885 poem "Little Orphant Annie" by James Whitcomb Riley, and made its debut on August 5, 1924 in the New York Daily News. By 1937, it was rated #1 comic strip. As expected, it inspired a radio show in 1930, film adaptations by RKO in 1932 and Paramount in 1938 and a Broadway musical Annie in 1977. The original production ran from April 21, 1977 to January 2, 1983 and was staged internationally. "Annie" has also been adapted to film twice, in 1982 and in 1999 the better known being perhaps the former, directed by John Huston and starring Aileen Quinn as Annie, Albert Finney as Warbucks, Ann Reinking as his secretary Grace Farrell, and Carol Burnett as Miss Hannigan. (Lea Salonga also was our very own Pinoy 'Annie" and this role would forever be associated with her). Songs from the musical include "Tomorrow" and "It's the Hard Knock Life".

Capitalizing on the broad appeal of this carrot-haired girl who sang "The sun will come out tomorrow", like there was no tomorrow, Aldaddin issued this metal lunchbox in 1981, complete with a plastic thermos. This vintage example, with a current market price from $35-$50-- has never been used and is in impeccable condition, so bet your bottom dollar that tomorrow, it is certain to increase in value!

202. SHIRLEY TEMPLE CEREAL BOWL & PITCHER

Original cobalt blue cereal bowl and pitcher set with the stamped likeness of 1930s star, Shirley Temple. These were premium items given away by General Mills Cereal that came free with every purchase of Wheaties. A pitcher, cup, and bowl were released. The pitcher is most common and is worth around $35-45, the cup and bowl are more rare and are usually worth around $50 or more. In the 1970s/1980s reproduction Shirley Temple glassware was released to the market but their quality leaves much to be desired. I got these toy tableware from the Greenhills Antique fair, along with the fan photo of an older Shirley Temple.

198. Boxed: THE BIONIC WOMAN

Hot on the heels of "The 6 Million Dollar Man" came a spin-off TV series--"The Bionic Woman", starring Lindsay Wagners as tennis pro Jamie Sommers who survived a skydiving accident but only after being outfiited with "bionic" implants similar to Steve Austin. As the result of Jaime's bionics, she has amplified hearing in her right ear, a greatly strengthened right arm, and stronger and enhanced legs which enable her to run at up to 60 miles per hour.

The series premiered on ABC in January 1976 and became the fifth most-watched television show of the 1975-1976 season. It ended in 1978, only to be resurrected in 2007--but the revival was short-lived. Aladdin issued this metal lunchbox in 1978 to ride on the show's popularity. It is similar to the one previously made a year earlier except for one panel, which shows Jaime outrunning a dog. This version shows her stopping a runaway car.

This Bionic Woman lunchbox is in pristine condition, never used, and with its own thermos. In this condition, a price guide book pegs its value at $250! That sure costs a bionic arm and leg!

186. ROYAL CANADIAN MOUNTIE

The Royal Canadian Mounted Police had its beginning in 1873, when the Canadian Government organized the North-West Mounted Police to maintain peace and order from the western border of Manitoba to the Rockies and the far north. Through the years, the RCMP, handsome in their red uniforms and hats, patrolled the sweeping wilds of Canada in their horses--and this image of them has become perpetuated in many collectibles that honor their legacy. This ceramic RCMP figurine holder is one such mid-century example. It shows a Mountie astride his horse, with the RCMP initials on the base to signify that this was an authorized edition collectible. I can't recall where I found this, but it still is in goood shape--no cracks or chips--after all these years. Today, the RCMP continue to be a part of the Canadian safekeeping forces, with their own website that sells licensed collectibles.

184. Made in Occupied Japan: NUBIAN FIGURINES

After World War II, from 1945 to1952, items imported from Japan to the U.S. had to be marked with "Made in Occupied Japan" or "Occupied Japan", to denote America's conquest of the Oriental power. These 2 decorative figurines, depicting Nubian court musicians, are from that period in our war history, stamped with the Occupied Japan mark. These may have come from a set. Black figurines are very desirable for Occupied Japan collectors as only a few were made. Popular figurines often depicted Asian ethnic stereotypes, European court characters as well as animal figures.

183. PLASTERCAST ASIAN FIGURAL LAMPS

Here are three kitschy lamp finds from the scroungers' capital of the world--Bangkal, Makati. I remember handcarrying the two his 'n hers matching mandarin lamps made of heavy plaster--from Evangelista all the way to my office. I couldn't find a darn cab!! They are, however, well-made and complete--only needing a pair of lampshades. I have since rewired them and they now occupy a special place in my 50s-furnished house. The middle, equally tacky lamp is Art Deco-inspired, showing an Oriental woman and her feline friend--a leopard, I think. My pet cat however, dislodged the lamp from its small table, damaging the escayola nose of the poor feline. Other than that slight defect, the lamp just works fine. Who would have thought that there would be a second life for these cheap, American-made accent lamps--now avidly collected by 'mid-century moderne' collectors--when tacky was the new 50s fad?