387. Made in Occupied Japan: ASIAN COUPLE FIGURINES

Made in Occupied Japan collectibles are harder to find these days, moreso a decorative pair as intact as this. "Occupied Japan" was printed on ceramics, pottery, porcelain, toys, and other goods made during the American occupation of Japan after World War II, from 1947 to 1952. You can say that today, they were produced in limited number which account for their collectability.

These 4.5. inch porcelain pair with "occupied Japan mark depict an Oriental Couple, but I can't pinpoint which country. Most likely, the costumes are highly-stylized versions of ancient Japanese costumes. Or they could be also composites of Korean and Japanese clothes. In any case, the figurines have very nice colorings, with paint as vibrant as the day they were made. I guess collecting more Occupied Japan pieces will keep me, well, occupied for this year! I love these kinds of vintage kitsch!!

378. MOPTOP COMBO PLAYER FIGURINES

Now here's a pair of Made in Japan figurines that hark back to the age of the Beatles, Shindig, Dave Clark 5, American Bandstand, the Monkees, and Hullabaloo. The two china figures represent combo players of the 60s era, and may have once graced a teenage girl's room, as she listened to her vinyl records playing the songs of Paul, John, Ringo and George on her plastic turntable. Alas,only two figurines remain--one singing the melody while beating a conga, the other, strumming away on his red electric guitar. The drummer and,possibly, the bass player are missing from the set, but that doe not detract from kischy cuteness of these two boy band members, who even have their original nylon moptop hair! And note the green bases where they stand--complete with musical notes! You could almost hear them belting out.."She loves you yeah...yeah...yeah!".

360. A MENAGERIE OF MINI-DOLLS

A wonderful grouping of display figurines and European-made doll miniatures offered for sale by a dealer-collector. I was tempted to get a few, but promised to come back to wipe them all. I was particularly drawn to the little jointed dolls made of bisque, with mohair wigs that could be posed and play with, despite the delicacy of the material. Some were imperfect, with broken limbs, all nicely painted.

Dolls of these kinds are rare in the Philippines because they were rather expensive, way beyond ordinary means of families. The figurines are also of the same material, depicting family scenes and character figures like a fishing boy, grandpa on a chair and dancing ladies. Now, if only i could find a nice little cabinet to house hem all in. That's for another hunt!!

357. Igorot Art: MAN ON A CARABAO

There was a time that it was fashionable for every home to have a woodcarved souvenir from the northern highlands. Baguio in the 1930s had many homegrown shops that sold carved figures of wood, created by skilled, yet self-taught Igorot natives.

The best-sellers were the ubiquitous giant spoon and fork that hanged on dining room walls. Then, there were also the ethnic tribal busts, always carved in pair--an Igorot and an Igorota--hewn from medium and heavy wood. The spear-wielding full body carving of an Igorot headhunter holding the head of his dismembered victim, was also a favorite piece.This 1950s figure, showing a man astride a carabao,  is less commonly seen. It almost looks like a lowland Filipiniana piece, until one sees the rider dressed in loin-cloth, clearly a mountain man from Igorotlandia.

It is a meticulously crafted piece--from the facial detailing of the man with his saucer-bowl haircut, to the carabao's furry hide, accomplished  by scratching the body with thousands of shallow knife marks. Mid-century decorative pieces such as this have started appearing in antique stores, as more traditional ethnic carvings such become scarcer. They are still plentiful and cheap--but look for the ones made of heavy wood and with characteristic minute detailing. Commercial figural vintage Igorot carvings are the new "bulols"!

295. Toby or Not To Be: JESTER CHARACTER CUP

I couldn't help but stare back at  this character mug when I chanced upon it at a Makati thrift shop. Fairly small, with some crazing, it looked definitely old, reminiscent of the toby mugs of yore depicting a character in history. Technically, a toby jug depicts a whole person, while a character jug shows just the face, but these ceramic creations share one thing in common--they are all highly collectible!

This example is unmarked--Royal Doulton currently makes the most desirable toby cups and jugs--but the finish of this face jug is superb, the colors vivid and appealing. So off  it went to my collection of kitschy ceramics, that includes dozens of lady head vases. I'll probably use this cup, so every time I drink my coffee, I can face-off with this cool, jester dude from the 50s!!

294. MOD PIXIE PAIR

I couldn't help but be charmed by the sight of this pair of mod porcelain couple. They definitely exude a genuine 1960s vibe--from the pixie (or Twiggy) haircut of the girl to the fashionable Carnaby outfit of the cross-legged dandy. I assume that these are cake toppers, although they have separate bases. Too bad I have no use for this winsome vintage pair, when everything was mad about mod!

286. BISQUE KIDS

Found this trio of bisque figures of kids--two girls in winter outfits and a little softballer. The heads are movable.. I'm almost sure they were made in Japan for the export market--I see these a lot in glass cabinets of many ancestral homes. No more than 3 inches tall, these adorable figurines sit perfectly on a wooden shadow box...not too precious, but still as decorative as they were made over 80 years ago!

274. What Is It? A FINIAL? A CENTERPIECE? A DECOR?

I found this creation in a shop along Sta. Rita's antique strip. It represents maybe a fruit (pineapple, perhaps? a symbol go hospitality) or a flower bud. It is made of pottery clay, then painted--I don't know if it it's molded by hand. Its base on where the "bud" rests is very similar to bases for old Philippine religious figurines. It is a hefty piece, about 8 inches tall, and certainly, an old one, but I can't figure out its purpose or function.

I asked the dealer what it was, but she had no idea. All she could tell me was that it came from an old house (which dealers tell to practically all their customers!) What could this be? Could this be a table centerpiece to hold flowers. maybe? (There's a hole on top). or could just this be an architectural detail, a finial for a cabinet or a staircase?

As I am stumped, I leave it up to you dear reader, to figure out this mystery piece. What do you think is it?

266. Sulit Kitsch: 50s LADY HEAD BUSTS

Don't you just love sulit.com.ph? The country's biggest online sell-trade-buy marketplace has the widest, weirdest, funkiest assortment of goodies any collector would go crazy for. One of my most recent unexpected finds is this pair of small busts, made of plaster, representing 2 fashionable ladies from the 50s. All of 6 inches tall, they realistically represent the midecentury look gal--from the puffed hairdo, to their mod, stylish clothes.

The first lady head bust looks almost Oriental, with rosy cheeks, red lips and puffed up hair held with a green bandanna tied in a knot under her chin. She wears a green blazer with padded shoulders, over a cream colored blouse, a style so much in vogue in the war and early post-war years.

The second lady wears a more daring outfit, with a plunging neckline, accessorized by a flower on her puff-swept hair. With her heavy make up, she looks like she's ready to paint the town red!

The back of the plaster busts are incised with what looked like scripts in gibberish, but upon closer examination, I recognized them as Burmese letters--which I can't read anyway. Maybe these ladies represent important women from Burma--actresses maybe, but Ican't be sure. What I am certain is that this kitschy pair are worthy collectibles, flash from the 50s golden period of Hollywood glamor and style.

253. HULA-BALOO!

When Hawaii became America's newest state in 1959, its native culture fascinated American mainlanders--including its sinuous dance--the "hula". Inspired by dancing "Leilanis" , many merchandisers cashed in onthis iconic image of a hip-swaying Hawaiian maiden in a (missing) grass skirt and came up with nodders and bobbers meant for car dashboards and curio cabinets. This Made-in-Japan example, straight from the 50s,  falls into that category, but is much more functional. For one, the figurine is a bobber and ash tray in one, and is made of more expensive ceramic than the usual plaster cast models. The upper body is attached to its lower part with a spring. When shaken, the figure wobbles, mimicking the swaying moves of graceful hula dancers. So kitschy...so tacky...so collectible!!

243. VINTAGE 3-D FOLK ART PAINTING

Time was when every 50s and 60s home had "works of art" such as this--a 3-D painting of some generic rural scene, often bought at furniture shops and downtown bazaars. Cheaply produced, the paintings featured subjects such as nipa huts that were cleverly raised in relief from the canvass using sticks, paper mache and cardboards. Elements such as the roof, the walls and the fences were then gesso'ed and painted, in the hope of achieving a more realistic, three-dimensional look. Think of it as "extreme impasto".

Nevertheless, despite this technique, paintings still looked kitschy and naive. But nowadays, period kitsch have been elevated to the status of folk art, Filipiniana style, and this example--sold at a swap shop--carried quite a price tag, many time its original price.Not even the fancy frame can hide the hideous execution of its theme--from the waterfall that cascades down to become a multi-tiered stream, the cockroach-looking carabao and the bahay kubo that looks like a cross between a log cabin and an Ifugao ulog hut. But as they say, one man's awful painting is another man's precious "outsider art".

233. CHASING MARIA CLARA

This picture showing a beautiful pair of Filipiniana busts was sent by phone to me for my consideration by my antique dealer from Bulacan. One look and I knew these were very rare pieces--and very old. The almost identical busts show two Filipinas in a typical Maria Clara outfit, characterized by a stiff panuelo, covering their camisa. One of the ladies has her head in a more tilted position and is about half an inch shorter, but both are carved similarly, right down to the hair caught in a bun at the back. There are polychrome traces on these fine softwood carvings.

I agreed with my dealer to see the busts up close on a Friday, as I really don't buy items without first seeing them--especially at the price he wanted. But towards the week, he phoned again to tell me that the middleman peddling the busts was pulling them out from his shop (he was taking them to Manila)--and asked f I could see them before Friday. That proved impossible for me, as I was still at work in Makati, so sadly, I passed them up. But the images of these rare Filipiniana pieces kept haunting me.

Next thing I knew, the pair appeared in an online shop in just a matter of days--sulit.com.ph--advertised by a Manila dealer. I quickly got in contact with the dealer and confirmed that the pair was still up for grabs. There was only one catch though--the original price had doubled! But at that point, i didn't care--the rarity of these pieces told me they were still worth much, much more.

I surmised that these were not commercially sold pieces but commissioned works from some sculptor meant to grace a grand old bahay na bato. Their faces might have even been modelled from real Filipina ladies, sisters perhaps. Another possibility was that these were works of an advanced art student, projects of his sculpting class. The details are impeccable, right down to the turned pedestals and the lacey like edgings of the ladies' panuelo.

 But there was one more catch before I could even go check them out at the dealer's place: one bust had been sold. I would have wanted to get the pair, but I was still in luck: since I got to the dealer's place first, I had the first option to choose the bust of my preference. Of course, I picked the taller one, all 23 inches tall, showing a more mature lady of refinement and wealth. So ends my successful chase for this bust that had been the object of my fascination for a week--Maria Clara was mine to keep!

224. Thrift Shop Art: VICTOR CABRERA PAINTINGS

GREEN AND BARE IT. Two small paintings of Victor Cabrera, ca. late 50s to early 1960s, found at a Quezon City junk shop.

In my recent forays to the junk shops of Cubao, I was rewarded with these two small paintings--one, a nude lady by the bank of the stream, and another, a more modest beauty, doing her laundry by the river, a little girl beckoning her, at the opposite pampang (river bank). The themes and even the colors were very vintage 50s. I quickly checked the artworks--and one was actually signed on the lower right hand corner. Since the paintings came together and they were stylistically similar, I concluded that these were painted by the same artist.

At first, I thought the painter was a certain "Fabroja", but a quick reference search yielded the name Victor T. Cabrera (b. 1915/ d. 1975) of Dongan, Paranaque. He was actually a student of Fine Arts at UP, but dropped out because of an early marriage. He eventually went back to painting in his 30s, and caught up with lost time by training with Vicente Manansala (they worked together as illustrators for Photo News in the 30s) and Antonio Dumlao, who enlisted him as one of his studio commercial illustrators.

A well-travelled artist, Victor went to Europe and the America, accepting portrait commissions from passengers while en route to his destination. He always finished the artworks even before reaching the port. His works--landscapes, portraits, historical paintings--were characterized by " a silky, finished quality", evident in these two creations.

He painted more earnestly upon his retirement in 1962--the period where these paintings were most likely completed. He had already scheduled his first one-man show at the Great Wall Gallery in 1975, but he died; his exhibit proceeded anyway. Art runs in Cabrera's family--his son-in-law is the noted cartoonist and illustrator, Ben Alcantara, who created the famous "Gorio and His Jeepney" comic strip fro Manila Times.

223. A PAIR OF CARVED IGOROT BUSTS

I found this mid-century pair of carved Igorot (people of Northern Luzon, in the Philippines)  busts on ebay, of all places. They were being offered by a collector who had an amazing ethnic and tribal collection from the world over. One look and I knew these pieces were the works of a master carver.

The details are simply incredible---the features are very lifelike, capturing realistically the facial features of the hardy Igorot. The hair strands are carved very finely, individually and the proportions are perfect.

These heavy, hardwood busts are also replete with such accessoriess as big earrings, which were part of an Igorot's traditional get-up. The earring were carved separately and installed in the drooping ears of the figures. The Igorota sports strings of beads looped into her hair, while his male counterpart wears a wrap-around headgear.

Carvings such as these were very popular in the 1930s, sold primarily as souvenir items from the mountain highlands. The peak of woodcarving skills was in the 1950s, the decade in which these handsome pair were carved. They must have come from a premier shop in Manila, as these were commercially stamped with "Made in the Philippines".

These 13" busts retain their dark, rich patina indicating their age. They must have been lovingly polished and cared for thru the years, displayed in an American home, a reminder of a far-away trip in the cool northern mountains of tropical Philippines.  As one who lived and studied in Baguio, I was drawn to these busts, not just for the artistry they convey but also for the nostalgia they evoke of my memorable years up the mountains.

210. FIGURAL GOOGLIE CREAMER

I found this googlie-eyed creamer staring at me in an antique shop in Devonport, New Zealand, a charming, seaside resort in Auckland. Figural creamers have been around for so long and most are in the shape of cows, people heads and other animals. This one though, is quite a character. I did a bit of research but found nothing of this houseware collectible that definitely dates from the 1950s. For some reason, it reminded me of a man-in-the-moon or one of those nursery rhyme characters--Humpty Dumpty perhaps. Maybe it was part of a set or a premium giveaway from a now-extinct product. I thought I paid a bit too much for this creamer (30NZ$, or close to a thousand bucks), but then I'd be whacking my head now if I hadn't gotten it. I am sure I will be staring back at this googlie creamer each time I drink my coffee, amused by the thought that I will be as wide-eyed as him in the morning!!

202. SHIRLEY TEMPLE CEREAL BOWL & PITCHER

Original cobalt blue cereal bowl and pitcher set with the stamped likeness of 1930s star, Shirley Temple. These were premium items given away by General Mills Cereal that came free with every purchase of Wheaties. A pitcher, cup, and bowl were released. The pitcher is most common and is worth around $35-45, the cup and bowl are more rare and are usually worth around $50 or more. In the 1970s/1980s reproduction Shirley Temple glassware was released to the market but their quality leaves much to be desired. I got these toy tableware from the Greenhills Antique fair, along with the fan photo of an older Shirley Temple.

199. PINCUSHIONS OF THE WORLD

Here's a parade of international chalkware beauties meant to appeal to domesticated moms who loved sewing. These figural pincushions--representing such nationalities as Indian, Chinese, Scot, etc--date from the early 60s; each bust is topped with a flannel-covered cushion where one can stick pins and needles. Cheaply made in Japan, they are nonetheless, brimming with colorful cuteness, especially when lined up on the shelf, don't you think? I just wish they made a Philippine version--a girl with a pot on her head that doubles as a pincushion would have been appropriate!

190. FOLK ART FRUITS IN SHADOW BOXES

Was lucky enough to find this pretty pair of folk art fruit ensembles in shadow boxes that date back to the pre-War 30s. They used to hang in the home of a dealer-collector, until he probably got tired of them and consigned them at an antique shop. They're not exactly cheap but these fruity displays are very typical Filipiniana pieces that were handcrafted and sold at curio shops in Manila. The fruits are so life-like--they are actually made of wood, pulp and fabric coated with escayola/ gesso then painted realistically and assembled in their narra frames. The first boxed frame features a basket of indigenous fruits like kamatsile, lanzones, balimbing, atis, mabolo, duhat, banana. chico and kasuy, artfully arranged in an embroidered red satin pouch.

The second shadow box combines fruits and vegetable--ampalaya, green and yellow mangos, turnips, squash, guava, sampalok, avocado and a section of a sugar cane. The fruits are wired and stitched on to a fabric backing, which in turn, was nailed onto the wooden stretcher. The molded fruits have some minor scruffs but overall, the unusual displays are in fairly good condition despite their 70 odd years. Who would think that artistic inspirations can also come from our own orchard?

188. Head's Up: BOY'S HEAD VASE

Male head vases are rarer than ladies', so when I saw this 50s boy's floral head vase at a Kamuning thrift shop, I just had to bring it home. I don't know, but there seems to be a certain holiday feel to this ceramic vase--maybe I could use it this coming Xmas. This, by the way, was made by Relpo, and is about 7 inches high. Relpo was a leading maker of quality decoratives in the 50s and it identified its works with a paper label--which remains intact on the bottom of this vase. This head vase is well-made and delicately painted. I looked up the value of this vase in a 1998 price guide, and was surprised that it already cost $65 in pristine condition 13 years ago. Of course, I got my flower boy for half of that. You should see how much head vases go for now--at www.antiqueheadvases.com, there's one priced at $1,600 and a couple more at $1200, $800! Crazy but true. Definitely, my head-hunting days aren't over!

186. ROYAL CANADIAN MOUNTIE

The Royal Canadian Mounted Police had its beginning in 1873, when the Canadian Government organized the North-West Mounted Police to maintain peace and order from the western border of Manitoba to the Rockies and the far north. Through the years, the RCMP, handsome in their red uniforms and hats, patrolled the sweeping wilds of Canada in their horses--and this image of them has become perpetuated in many collectibles that honor their legacy. This ceramic RCMP figurine holder is one such mid-century example. It shows a Mountie astride his horse, with the RCMP initials on the base to signify that this was an authorized edition collectible. I can't recall where I found this, but it still is in goood shape--no cracks or chips--after all these years. Today, the RCMP continue to be a part of the Canadian safekeeping forces, with their own website that sells licensed collectibles.